We are living through one of the fastest-moving and most consequence-laden periods in human history. Technology is no longer confined to a particular sphere of life; it has fundamentally reshaped our daily habits, decision-making processes, and ways of understanding reality. Nowhere is this transformation more evident than in how we consume news.
A day often begins with a âbreaking newsâ alert flashing on a mobile screen. Within minutes, multiple versions of the same event appear. An online portal presents one narrative, television broadcasts another, while social media circulates a completely opposite account. The reader pauses, unsettled. A basic question emerges: which of these is news, and which is merely a performance of words? This confusion is not an individual anomaly; it is the everyday reality of our time. The paradigm shift brought by digital journalism has therefore not only been technological, it has struck at the very foundation of trust.
Today, news is no longer confined to a few printed columns. In a parallel universe of video, audio, live updates, social media posts, and push notifications, news surrounds us constantly. This convergence has produced a reality in which news does not wait to reach the audience; it arrives uninvited. Yet the paradox is stark: the more accessible news has become, the faster public trust in it has eroded. When information flows freely, the question inevitably arises: does truth become clearer, or does it grow more blurred?
This crisis becomes most visible in cases of political killings, attempted assassinations, or acts of violence. Almost simultaneously with the incident, a competition to produce explanations begins. Even before the sound of gunfire fades, answers to who did it and why start circulating in the public sphere. At times, these narratives appear pre-packaged. Some express genuine outrage, others assign blame, while many seek political advantage. In the arena of politics, even condemnation is rarely neutral; it is framed in ways that serve specific interests. Once a particular narrative gains popularity, administrative institutions often find themselves powerless, even if the truth differs. In the political reality of Bangladesh, this is an uncomfortable but persistent truth.
Here, the culture of instant judgment becomes especially dangerous. On the very day of an incident, roles are assigned, who is guilty, who is the hero, who the villain. Such premature verdicts inflict three serious harms. First, the real perpetrators gain time as public attention is diverted. Second, investigations become politicised rather than evidence-driven. Third, a form of social legitimacy for future violence is created, as people begin to believe such acts are inevitable, simply part of politics. Together, these consequences weaken democracy and empower violent actors.
Communication research, particularly Framing Theory, helps us understand this reality. According to this theory, the media does not present reality directly; instead, it highlights certain aspects while obscuring others through specific frames. Even when the event is the same, its meaning is shaped by how it is presented. In the digital environment, the number of competing frames has multiplied exponentially. As a result, a single event carries multiple meanings, leaving the audience trapped at the center of confusion.
This crisis is not new. Former British Prime Minister Arthur Balfour once remarked, âI do not read newspapers, and it has done me no harm.â Today, this statement feels less like a historical curiosity and more like an unsettling reflection of our time. Doubts about the purpose and integrity of the press existed then as well. Yet large segments of society still trusted newspapers as mirrors of their reality. As technology has advanced, that trust has steadily eroded, so much so that âtruthâ and ânewsâ now seem unable to coexist in the same sentence.
In Bangladesh, this distrust is even more pronounced. Major events are framed differently by different media outlets, political interest dominates in some, sensationalism in others, and silence in yet more. Election coverage, the suppression of corruption stories, and ownersâ political allegiances collectively prompt a fundamental question: where, then, does the truth stand? Framing Theory demonstrates here that it is not merely the selection of news, but its presentation, that ultimately determines the meaning of reality.
Social media has intensified this confusion. News is no longer under the exclusive control of journalists. Anyone can create a new frame through a post, video, or caption. Languages of emotion, fear, anger, and conspiracy gain rapid acceptance. Narratives go viral long before facts are verified. Virality, in this context, is not evidence of truth; it is the victory of the most effective frame.
The historic role played by social media particularly Facebook, during the Arab Spring of 2010 cannot be denied. Never before had people from across the world been brought together on a single platform in such a manner. Over time, however, this power has become deeply ambivalent. Instead of an open public sphere, social media has increasingly turned into a site of confusion, polarisation, and misinformation.
Gradually, the news media is losing its commitment to objectivity. Inaccurate, incomplete, or biased information is no longer an exception; it has become routine. As a result, the moral and political foundations of society are eroding. News that once helped bind society together now risks becoming an agent of division. This question can no longer be avoided.
Ultimately, the choice lies with journalism itself. Will it merely add another voice to the noise, or will it take risks and stand firmly on the side of truth? History teaches us that when courageous voices of truth fall silent, journalism dies first, and democracy follows, slowly but inevitably. Today, readers are waiting for that voice: one that dares to say, once again, that standing with truth is journalismâs final refuge.
